Tag: filmmaking

This is story 9 of 10 of LoveYourzStory’s Creatives Series. I’ve had the pleasure and privilege of getting to know 11 individuals who are passionate about creating. It was interesting to learn where each individual drew their inspiration from. I wanted to shift the attention on other Creatives and tell their stories on what motivates and excites them in their respective field. Thank you to everyone who participated in this series! – Marinelle Cabillo, LoveYourzStory

Kiana credits her love for film and documenting memories to her father. Growing up, her dad would always have an action film playing in the background. He was always behind the camcorder documenting whatever the family was doing. There are countless family home videos of Kiana throughout the years. He mostly recorded for the family to have home videos to look back on, but also because he was into photography as well. As his daughter, Kiana feels as though she got his creative gene.

When Kiana was about 10 years old, her dad bought her her first camcorder. She was fully immersed in capturing moments visually. Just like her dad, Kiana was always behind the camera. Kiana and her cousins would come up with random skits, and she would always be the one recording it. But it didn’t just stop at recording the footage – Kiana would take it a step further and edit the videos as well. She laughs at the idea of editing her family content through Windows Movie Maker, but a girl gotta start somewhere!

“When I used to film stuff when I was younger, it was more for fun on the spot skits with my cousins,” Kiana explained. “I think that’s where my love for documentaries came from because when you’re filming a documentary you’re literally getting footage on the spot. Nothing is scripted.”

Kiana always had a gut feeling that she wanted to turn her love for documenting, editing, and being behind the camera into a career pretty early on. She remembers a school project her senior year of high school that stuck with her. Her and 4 other classmates had to make a video about domestic violence in Polynesia, and that’s when she upgraded from Windows Movie Maker to iMovie! Her contribution was shooting all the of the videos and editing the footage. In the end, they didn’t even do the project correctly, but Kiana was very proud of the final video.

Even though Kiana knew she wanted to pursue film, she still ended up taking classes for a major she had no business being in. She chose occupational therapy. How the hell did she end up with that? When it was time to try to figure out what she was going to study in college, her mom and cousin threw out the idea of occupational therapy. This is partly due to the the fact that her cousin was an occupational therapist. The game plan was simple – the goal was to study to become an occupational therapist, work as an occupational therapist for a couple of years so she could pay for film school. Looking back, she admits that idea was nowhere near practical.

When it came down to it, Kiana just couldn’t be in those classes. Her heart wasn’t in it, and she knew that occupational therapy wasn’t a road she wanted to take – or never really wanted to take from the get. She had a talk with her parents and decided to drop community college and go to Academy of Art the next fall. The talk with her parents was really difficult to have, but it was so relieving at the same time. Her parents were iffy at first and needed some convincing – they had no idea how she could possibly make a career in film or TV. Kiana had to explain that there are so many different career paths that she can take in the industry – it’s not just directing, screenwriting, and all the roles people first think of when they think of film. Even though her parents were hesitant with the switch, they couldn’t deny how much Kiana was struggling trying to pursue occupational therapy. They knew their daughter’s heart wasn’t in it, so they supported her decision to make the switch.

Kiana’s glad that she made the switch because it changed the direction of her whole career and future. She graduated from Academy of Art University with her Bachelor of Fine Arts degree in Motion Pictures & Television with an emphasis in editing. Now, she’s a Studio Technician for NBC Sports Bay Area, and freelancing on the side! There’s many different tasks as a studio technician, but she mostly works as a tape operator, working on live pre and post-game shows for the Warriors, Giants, and A’s.

To build her portfolio to be qualified for NBC Sports Bay Area, Kiana just kept creating and collaborating with others. One of the most important things that’s a must in this industry is networking. She kept creating, kept networking, and kept putting herself out there, and that’s how she landed her role in the industry. At first, seeing all the professional equipment was really intimidating for Kiana. She’s seen the equipment in some of her classes at the Academy of Art, but actually operating it without the help of her professor was definitely something she had to get used to.

“I personally prefer editing,” Kiana said when asked what role she prefers. “I love editing because it allows me to create and shape the story that the director and cinematographer envisioned. It’s kinda like I have the last say on how I want the film to be seen.”

Being an Asian woman in the sports industry can be pretty intimidating, but Kiana finds solace in the fact that she gets to represent. For her, it’s so much more than just her having a job, it’s letting the generations after her know that someone that looks like them did it as well. Everyone relies on the media for entertainment, so it’s important to Kiana to be that representation for them, it’s something that she wishes she had. Kiana didn’t grow up seeing too many Asians in sports or on TV, and even though it’s currently headed in the right direction, media still has a ways to go to make things diverse.

Creating and documenting is equivalent to Kiana writing in a journal. It’s her way of expressing herself, from whatever she’s thinking or going through in life. Majority of her work and projects are somehow related to her own journey and personal experiences. If she’s working on someone else’s project, Kiana would have to resonate with their story or relate to it in some way. It’s hard for her to put her all into something if she doesn’t feel connected to it, that’s why she’s so passionate about what she does. She takes pride in knowing that what she produces will only come from her and nobody else.

In fact, her film, “Love, Kiana,” started off as a journal entry. Kiana always wanted to create a film focusing on mental health. During that time, she was really diving into mental health in Asian families, more specifically, Filipino families. She wanted to create something where people who look like her could relate. She is well aware that the Filipino community is still very dated when it comes to talking about, accepting, and dealing with mental health. It was really important for Kiana to explain her own journey with mental health because the film also acted as an explanation to those around her. It was different for her to be in front of the camera rather than behind it, but she felt compelled to do so.

“…Whenever I tried to find visual examples I could show my parents, or my cousins, or anyone actually, the content was very limited,” She said when asked why she chose to make the film about her own personal experience. “So I wanted to put the spotlight on it. I needed it to be real, raw, and authentic because I wanted to show people how I’ve been really feeling deep inside.”

Kiana’s work is inspired by the people she’s met, the places she’s been, and the things that she has seen. When creating, her goal is to make something she hasn’t seen on the screen before. She loves watching other people’s work. The different styles of writing, directing, or editing always inspires her to think outside of the box for her own projects. It’s a crucial part of growth – to take everything in around you and find a way to make it your own.

Aside from her sports editing job, Kiana makes sure to feed her creative side whenever she has the chance. Most of her personal side projects start off as just for fun. But there are times where she gets emails announcing film festivals that are open for submissions, and when she sees one that aligns with what she’s working on, she’ll submit it. Currently, she’s working on a “Stop AAIP Hate” campaign and a personal project focusing on San Francisco State’s women’s basketball players’ work ethic and journeys. One of her favorite projects that she’s worked on is a project called “The Crossover” for MYX Global. The Crossover highlights popular artists crossing over to new international markets for the first time like Inigo Pascual, Kiana V, KZ Tandingan, Moira Dela Torre, and more.

Most of the jobs and gigs that Kiana has gotten are through networking and referrals. Kiana tries to capitalize on all of the events and sets she attends where there are a lot of people that are in the same industry. She scopes out the place and tries to make out the individuals that she would want to work with in the future or get to know more. She is one that respects people’s time, so she always tries to think of what she’ll talk about with them before approaching. Kiana’s advice is to try to leave a lasting impression with whoever you’re connecting with because you don’t want to waste their time. Don’t be afraid to follow up with the conversation in the future. Kiana has found that networking casually in person is a lot less intimidating than a formal interview. It allows her to be herself and make natural conversation.

“I feel like as a creative, the most important thing you can do is collab and network with other creatives/filmmakers,” She said. “I love surrounding myself with people who are open-minded and also like-minded when it comes collaborating.”

Even someone like Kiana, who has successfully found her niche in her profession, still has doubts from time to time. With all of her success, there are still moments when she doubts herself as an artist. Kiana tends to compare her work to other people’s and will overthink her own ability, accomplishments, and talents. “Do people even like my art?” “They’ll probably hire someone else,” are some of the thoughts that cross her mind. When those thoughts of self-doubt creep up, Kiana tries to remind herself that her art will reach the audience it’s supposed to and everyone has their own different style when creating. She is aware that she’s her own worst critic. Another thing she likes to do is take a social media cleanse and draw inspiration from reading, watching movies, and just hanging out with family and friends. Her family and friends have been her biggest supporters throughout her whole journey. They’ve been there through it all – her burnouts, her long days, the times she’s sitting for hours on end at the computer editing. The love and support they give her does not go unnoticed.

Kiana doesn’t let her own negative self-talk sabotage her art, so she practices every time she gets the chance to. There are times she goes out and films random things to edit when she gets back home. Other times, she goes into old project files and messes around with them to see how different her cuts and style is now. It’s the perfect way for her to see her progression as an editor, to look back on her old content and edit again with more experience and different techniques. Those old pieces that she dibble dabbles in every once in a while is a constant reminder of where she started, and it truly humbles her.

It usually takes Kiana about 1-2 weeks to complete a short doc. But she admits that she gets very picky with her cuts, so she’ll watch something over and over again until she’s satisfied with it – and she’s completely okay with that. Her goal in film is to finally make her short narrative film come to life. She feels as though her whole film career has been focused on making documentaries, so she really wants to tap into the inventive and imaginative side of storytelling.

Kiana’s advice to other creatives is to keep creating what you want. It doesn’t matter if others think your idea is dumb – you are allowed to create what you want to create. She tries to remind herself that the best part of working in a creative industry is meeting new people and building connections and relationships with them. Somewhere out there will resonate with your work.

“It’s gonna sound hella cliché, but I would tell younger Kiana to never give up,” She said when asked what she would like to tell her younger self. “It’s gonna take some time, there’s gonna be people who doubt you – especially being a woman of color in this industry. You have to work 10x harder than some other people but it’ll be worth it.”